Showing posts with label Roger McNamee. Show all posts
Showing posts with label Roger McNamee. Show all posts

Thursday, June 29, 2017

Celebration Of Poster Art At The Haight Street Art Center

Situated in the heart of Haight at 215 Haight Street, near the corner of Laguna, the Haight Street Art Center opened its doors to the public on Saturday 1 July with a Grand Opening that included activities for kids, printing demonstrations for adults, gallery tours, and a welcoming address from Mariusz Knorowski, Chief Curator at Poster Museum at Wilanów, the oldest poster museum in the world located in Warsaw, Poland.

Festivities began at 1pm with a ribbon-cutting ceremony at the iconic Bronze Bunny, gatekeeper to San Francisco’s Lower Haight neighborhood. 

A series of galleries displayed 90 posters from the breakthrough years of 1965-67 in the opening exhibit entitled “The Art of Consciousness," while artists demonstrated the silk screen process, enabling visitors to walk out with a freshly inked poster.

Celebration of poster art

The “Big Five” of poster art, who made San Francisco the epicenter of the genre are well represented: Stanley Mouse, Wes Wilson, Alton Kelly, Victor Moscoso and Rick Griffin. 

The purpose of the art center is to invigorate poster art by providing a print shop and gallery that dramatically lowers the cost of creating and selling poster art,” said Roger McNamee, the Moonalice lead singer and guitarist with a passion for poster art. “It also provides a platform so that the artists can form and manage a collective for mutual benefit."

When Moonalice started in 2007 as a ’60s-style San Francisco psychedelic roots band, one of the founding precepts was a freshly produced poster for every show. “We figured we’d play 30 or 40 shows a year,” said McNamee, adding, “And we’ve played 100 shows a year for 10 years.” There are now close to 1,000 Moonalice posters, many of which paper the walls as well as the stairwell between the floors at the art center.

Moonalice model

In the day of the Big Five, poster artists were paid around $500 for a poster plus a dozen copies. The promoter, or the band, got the copyright, which meant that if a design hit it big in the aftermarket, the income from all those concert posters sold in bookstores and record stores went to someone other than the artist.

This is in stark contrast to the Moonalice business model, which is to pay the artist more up front, plus allow the artist keeps the copyright. There are some 35 artists in the Moonalice stable, and they will be the first to benefit from the art center’s platform.

Living history museum

The building is part of a Spanish Revival complex put up by the Works Progress Administration in 1934 as San Francisco State Teachers College. It sits on a huge lot, most of which has been developed into market-rate housing by Wood Partners.


“This is like a living history museum on top of a museum,” said Peter McQuaid, executive director of the center, who will oversee a staff of four. “We want to return to the craftsmanship where the artists print the work themselves.”

The art center includes the original San Francisco State entrance on the southeast corner of Haight and Buchanan streets, and occupies the down-slope annex, its mid-block entrance marked by the Bronze Bunny sculpture by Jeremy Fish. The entry is on the gallery level, with the print shop above it fully outfitted with scanners, printers and racks of paper.

Opening exhibition

The opening exhibition, “The Art of Consciousness,” runs through September. Entrance is free. Regular hours are 11 a.m. to 5 p.m. Monday through Sunday. 215 Haight St., S.F. https://haightstreetart.org

Saturday, June 3, 2017

Celebrate The Summer Of Love With A Psychedelic Light Show And A Surrealistic Summer Solstice Jam!!!


Flowers will power the night this summer as the Conservatory of Flowers in Golden Gate Park becomes the canvas for an elegant light art installation to honor San Francisco’s city-wide celebration of the 50th Anniversary of the Summer of Love. 

Developed in partnership with San Francisco Recreation and Parks by Illuminate, the nonprofit arts group behind The Bay Lights, and Obscura Digital, a world-renowned creative studio specializing in large scale light-based art, the installation will use gobo projectors to transform the all-white landmark with a series of exquisitely illuminated scenes inspired by the rare tropical flowers within, and the legacy of San Francisco’s flower children.

“The Summer of Love was always about an energy – a spark – bringing love and light at a time when the world needed it,” said Ben Davis, Director of Illuminate. “We are bringing that light back to where it all began in Golden Gate Park fifty years later with an electrifying, contemporary tribute.”

“Obscura has done projections on iconic buildings around the world, and we’re thrilled to be using Golden Gate Park’s architectural crown jewel as our latest canvas, here in our hometown,” added Chris Lejeune, CEO of Obscura Digital.

Davis and the Obscura team promise a nightly spectacle of spinning flower mandalas, animated butterflies, and much, much more. The free public installation will be on view nightly from sundown until midnight throughout the summer, June 21 through October 21, 2017.

Surrealistic Summer Solstice Jam

The opening night on 21 June – which coincides with the Summer Solstice – will include a musical celebration from members of the best jam bands San Francisco has to offer, featuring most of the surviving band members of the great bands of 1967.

“The Surrealistic Summer Solstice Jam will combine the music of 1967 with an epic Illuminate and Obscura Digital light show on the Conservatory of Flowers! It will be the most monumental light show the city of San Francisco has ever seen! Dan Lebowitz is music director. The house band will include members of ALO, Moonalice, and other great SF musicians. Jack Casady, Lester Chambers, David Freiberg, Linda Imperial, RonKat, Norman Greenbaum, Barry Melton, Steve Kimock, Dave Getz, Peter Albin, Darby Gould, Joli Valenti, Melvin Seals, Paula Frazer, Leslie Grant, Mark Karan, Jay Lane, Jason Crosby, Steve Adams, Grahame Lesh, Alex Jordan, Greg Loiacono, Lech & Johnny ... and many others are scheduled to perform. The concert and light show are free … no tickets are required, and it's the longest day of the year,” explained Moonalice’s Roger McNamee.

There will be three free posters for those attending, by leading poster artists Alexandra Fisher, John Mavroudis and Darrin Brenner, members of the Haight Street Art Center collective.


"We're really excited to be a part of this thing," Roger continued. "It's part of the on-going Summer of Love Festivals in San Francisco. We encourage you to attend or to watch the live stream, because it'll be fun!" How much fun? This video from the Surrealistic Superjam SF Summer Of Love 50th Anniversary Concert earlier this year gives a taste of musical treats to come on 21 June!



Logistics

Folks with mobility challenges are encouraged to either be dropped off or park near the Nancy Pelosi and Bowling Green corner - or - park in the Music Parking lot under the De Young Museum. Public transportation is HIGHLY recommended!

The following items are not allowed at the event:
No Tents, Canopies, Tables, or other structures
No Unpermitted Vendors
No Coolers larger than 9”x12”
No Barbecues or cooking equipment
No Amplified Sound Equipment
No Generators
No Glass
No Backpacks larger than 9 x 12
Please take the public transportation to the event if possible:
The closest MUNI bus is 5 Fulton bus which runs until the event ends and beyond. You can catch the bus at Fulton Street and 6th Ave, and it is also the closest bus stop to the event.
For Bus Schedule: https://511.org/…/schedules-ag…/agency/363/schedules/route/5
Or Plan Your Travel with Public Transit: www.511.org
However, if you must drive, you can park at Golden Gate Park’s Music Concourse Parking Lot, entrance at Fulton Street and 10th Ave:
Parking will available at the Music Concourse Parking Lot as it will be open late until 11 pm to accommodate parking for the event.

Cars can enter at Fulton Street and 10th or at Lincoln near the Academy of Science. Please note JFK Drive will be closed from 8th to Kezar Drive staring 5AM on Wednesday, June 21st, it will be one of the closest locations for parking.
For maps how to enter – please go to: http://goldengateparking.com/. Cost is a flat $17.
Street Closures -- starting 5AM Wednesday, June 21st until 9AM Thursday, June 22nd the following streets will be closed to vehicles traffic:
JFK Drive between Kezar Drive and 8th Ave
Nancy Pelosi Drive between JFK Drive and Bowling Green Drive
Arguello Street at Fulton Street (entrance into Golden Gate Park)
Surrealistic Summer Solstice Concert and Grand Lighting!
Wednesday, June 21, 2017 from 6:00 PM to 10:00 PM (PDT)
date Outside of the Conservatory of Flowers
100 John F Kennedy Drive
San Francisco, CA 94118
Organized by Conservatory of Flowers

Sunday, April 9, 2017

Any Song. Anywhere. Anytime. Six Years Of Live Broadcasts For Live-Streaming Pioneer Moonalice

Moonalice live broadcast on an iPad
Six years ago this week, San Fran psychedelic roots jam band Moonalice began live satellite broadcasts using HTML5. What began with iPads and iPhones streaming without an app has now extended to Android, PC, you name it. “The system is surprisingly inexpensive,” Moonalice front man and founder Roger McNamee commented at the time. “We paid a guy to write an HTML5 API and we found a carrier willing to provide bandwidth and storage at cost. The satellite system offers more bandwidth than alternatives at the same price.” 

Why the broadcasts? “People couldn’t have cared less about Moonalice, so we had to use technology just to get off the ground. We figured out Twitter, Facebook, live streaming. It’s not that nobody had ever done it, but nobody had ever been dependent on it the way we were. Instead of a manager or publicist, we spent money on technology and social media. Technology was a lot cheaper and we have built a whole community was around this,” Roger elaborated.

“Moonalice is more like a tribute to a style of show,” Roger explained. “That communal, artistic, very hippie-driven model we grew up with. Technology allowed us to do it. Before buying a ticket or an album, fans could listen to our music online and decide if they liked it. I don’t understand why younger bands aren’t aggressive around this. If your audience was 18-25, this would work 100 times better than it does for us.”

Poster by Chris Shaw
"The original decision to use HTML5 was economic: it was obvious from day one that native apps on iOS and Android would be more expensive and would leave us at the mercy of platform vendors who would never give us the time of day. The app market has been a train wreck for all but a few players, yet almost everyone still makes them," said Roger.

Fast forward to today. "How time flies ... this week is the 6th anniversary of MoonTunesTM  the HTML5 player that enables Moonalice to stream concerts live to PCs and smart phones,” Roger reminisced. “We have broadcast many hundreds of shows since then, including the Hardly Strictly Bluegrass Festival. Weather-permitting, we will broadcast today's show from the Good Old Days Festival in Pacific Grove at 1pm PT in HD on http://www.moonalice.com."

Moonalice was also the first band to broadcast all its shows via Facebook Live. Below is the first set from the band's show at Paciaifc Grove yesterday. The benefit of these live broadcasts on Facebook is not only that fans can make comments and communicate with each other during the broadcasts, but the reach is orders of magnitude higher than sharing via link or even an upload. How much larger? Moonalice's reach is regularly in the region of 300- 500K, which translates to a lot of very happy fans!


"Thanks to our amazing Moonalice team, MoonTunesTM remains the highest performance and lowest cost streaming platform on earth. Thanks to our fans, it has an enthusiastic following. We're proud of it," Roger concluded.

Any song. Anywhere. Anytime. Yesterday I watched the three Moonalice sets from the Good Old Days Festival in Pacific Grove, from a park, on the Interstate, and from my favorite Indian restaurant. Rock on, Moonalice!

Friday, April 7, 2017

Re-Live The Summer That Rocked The World

"The Summer of Love Experience: Art, Fashion, and Rock & Roll" reception last night at the de Young Museum saw Partner, Enthusiast, Sustaining, Supporting, and Contributor Members celebrating the 50th anniversary of the colorful counter culture that blossomed in San Francisco, as they enjoyed an exclusive first look at the exhibition before it opens to the public on Saturday 8 April. 

The experience immerses you in the sights, sounds, and cultural achievements of a summer that rocked the world. Turn back time as you enjoy music, film screenings, art-making, artist-led tours and more while helping celebrate the 50th anniversary of San Francisco's 1967 Summer of Love. Highlights include screen-printing demonstrations by poster art activists, live music from San Francisco Airship and a community-led Human Be-In(volved).

Photograph by Marc Margolis
Featuring a wide array of iconic rock posters, period photographs, interactive music and light shows, “out-of-this-world” clothing, and avant-garde films, this exhibition celebrates San Francisco’s rebellious and colorful counterculture that blossomed in the years surrounding the 1967 Summer of Love. This immersive experience explores, through a succession of themed galleries, the visual and material cultures of a generation searching for personal fulfillment and social change. Presenting key cultural artifacts of the time, San Francisco’s Summer of Love introduces and explores the events and experiences that today define this dynamic era.

“This show is incredible!!! It tells a wonderful story, including, art, music and clothing. The archives of the Haight Street Art Center and Center for Counterculture Studies are well represented," commented Roger McNamee of Bay Area psychedelic jam band Moonalice. "There are 25 or 26 pieces ... keep your eyes peeled!!!” 

Photograph by Marc Margolis
Check out the full program for opening day, and use the hashtag #SummerofLoveSF to share your thoughts and photos during the day via Twitter and Instagram, and watch out for a special Summer of Love geofilter on Snapchat.

All activities are free and open to the public. Pop-up tours require an exhibition ticket. Seats for ‘REVOLUTION’ and 'Berkeley in the Sixties' are free and offered on a first come, first served basis. Fees apply for admission to the special exhibition, ‘The Summer of Love Experience.’

The Summer of Love Experience: Art, Fashion, and Rock & Roll runs April 8th through August 20th at the de Young Museum. Tickets can be purchased at deyoungmuseum.org.

Venue: de Young Museum
50 Hagiwara Tea Garden Drive
San Francisco , CA 94118

Thursday, March 23, 2017

Moonalice - The Dream Continues

Image: Bob Minkin
Flashback to an interview that Roger McNamee, founder of American folk/roots-with-jam band Moonalice gave in 2015:  

“What I would say to anyone who is reading this is just remember…if you’ve got a dream, never let go. Not ever. You’re gonna have setbacks. I’ve had dozens of them. Some of them have been really horrible. You just, you don’t ever really want to let go because there’s always a chance to have an up after a down. And, in my case, each down has lead to a more interesting up. I don’t know what the next one will be, be, but I look forward to it whatever it ends up being,” he said.

Following your dreams is a recurring theme for both Moonalice and Roger, who has commented about fan favorite, ‘Nick Of Time’ saying, “The song is deeply optimistic, which reflects my philosophy.”

High tech. meets high touch

Moonalice is unique for both its tech. and its tribe - The Tribe is how Moonalice fans describe themselves - with nearly half-a-million fans on social media. 

“We were consciously created to apply technology to the music industry. Being our age, and playing original music and not being a tribute band, we had to use technology to reach people. So the combination of Facebook, Twitter and Instagram, and then, especially, the video broadcast of every concert. That has been transformational. What’s been really funny is it turns out it wasn’t that expensive to broadcast all the shows,” Roger explained.

The dream continues

After a winter hiatus, Moonalice fans were thrilled to see the announcement of 2017 tour dates which include a SoCal tour, a number of festivals as well as the highly popular and regularly sold-out "Gathering Of The Tribe" at Slim's in San Francisco.

“The 2017 Moonalice tour begins on March 30 with four shows in SoCal with our friends, Cubensis- Grateful Dead Music Experience,” Roger recently posted on Facebook. “Click through to see the dates through early May ... including 4/20 at Slim's!!! Please bring your dancing shoes!!!”


Moonalice is a psychedelic, roots-rock band of seasoned musicians mixing a variety of genres with extended musical improvisations that evoke a sense of adventure and exploration. Everyone is a part of the experience and the music inspires dancing and other acts of self expression.



Every show has an original art poster created by a well-known artist memorializing that event and given to all attendees…each poster has its own Moonalice legend. All concerts are broadcast live in HD and available in archive shortly after their set.


Moonalice plays mostly original material mixed with several covers, and during their extended freeform jams the band moves as one, drawing from many musical genres honed from years of experience playing with various major acts. Their single "It's 4:20 Somewhere" has been downloaded over 6 million times.

Moonalice is:
  • John Molo: Drums, Vocals. (Bruce Hornsby & The Range, John Fogerty, Phil Lesh & Friends, The Other Ones, David Nelson Band).
  • Barry Sless: Lead Guitar, Pedal Steel Guitar, Bass. (Phil Lesh & Friends, David Nelson Band, Kingfish, Cowboy Jazz).
  • Roger McNamee: Rhythm Guitar, Vocals, Bass. (Guff, The Engineers, Random Axes, Flying Other Brothers)
  • Pete Sears: Bass, Keyboards, Guitar, Vocals (Sam Gopal Dream, Rod Stewart, Jefferson Starship, Jerry Garcia, Hot Tuna, John Lee Hooker, David Nelson Band, Phil Lesh & Friends).
  • Big Steve Parish: Road Scholar/Medicine Man/Storyteller. (Grateful Dead crew for 26 years, co-founder of Jerry Garcia Band)
Fun fact - Moonalice's first show was in May, 2007, which means that the band has a milestone birthday in 2017!





Friday, February 3, 2017

Mark. Your. Calendars. Moonalice 420 Gathering Of The Tribe Returns To Slim's In SF On 20 April!

In a year that marks the 50th anniversary of the Summer Of Love, the psychedelic scene lives on in the band Moonalice. Formed in 2007, Moonalice reverberates the essence of rock music and is composed of Barry Sless on lead guitar and pedal steel (Phil Lesh & Friends, David Nelson Band); Pete Sears on keys, guitar and bass (Rod Stewart, Jefferson Starship, Hot Tuna); John Molo on drums (Bruce Hornsby, Other Ones, Phil Lesh & Friends) and Roger McNamee on rhythm guitar and bass (Doobie Decibel System, Flying Other Brothers, Guff, The Engineers). 

“We are a psychedelic roots-rock band of seasoned musicians mixing a variety of genres with unexpected musical improvisations," said Roger McNamee describing how Moonalice began when T Bone Burnett approached him and others to form a new band not a heritage act. “What initially was simply a project to make an album of songs, then turned into a force of music all its own,” said McNamee.

What intrigued McNamee and the other band members was the emphasis on making new music, not simply repeating the same material over and over. "Psychedelic lends itself to what is happening today, in terms of technology and social media. Even back in the 1960s and 70s, psychedelic was truly 'a multimedia event' even before that term was being used,” said McNamee. “The light shows, the art work and as far as social networking…back in those days when psychedelic was new and emerging, it was mostly all word of mouth. That was the original social media/networking thing," he explained.

Moonalice streams all its shows live in HD via satellite on its website and also on its Facebook page to its more than 420,000 fans. "With the new technology said McNamee, people can take a peak at the music - our previous performances and decide whether or not they want to come see a show. That way they will know what they are paying for." He emphasized that what they will get is a complete experience. “The live music, the lights, the art work, and the stepping into new horizons of music-expression. It’s kind of like a stew,” he said, “It is experimental, it is meant to be fun, and with the audience being there, it all ties together."

The 2017 annual Moonalice Gathering Of The Tribe will take place at Slim’s in San Francisco on Thursday 20th April. Doors are at 7:00pm with the show starting at 7:20pm. Tickets are $10 advance, $15 at the door, and $34.95 for dinner.



In addition to the fine music, psychedelic light show and sundry surprises, attendees can expect an amazing display of poster art and to take home a pack of posters which in the past have included more than 20 posters by legends of poster art. Many of the artists will be present and be happy to sign their work!

Saturday, January 7, 2017

Roger McNamee Free Super Bowl Tailgate Party Show At Sweetwater Music Hall 5 Feb. 2017

Roger McNamee, founder of San Francisco jam band Moonalice and acoustic duo and band Doobie Decibel System, will be performing at Sweetwater Music Hall on 5 February in a "Super Bowl Tailgate Party." For fans on the "Couch Tour," the show will be broadcast live, starting at 12.30pm PT, in HD, on the Moonalice website as well as to Moonalice's more than 420,000 fans on Facebook.

"My solo concert at Sweetwater Music Hall will begin at 12.30pm PT. Jason Crosby will join me for a Doobie Decibel System duo reunion, too," said Roger. The show is free, the food is great and I would love to share my music with you!!!"

Roger, who spent the majority of his career in the emerging tech industry and is a regular contributor to broadcasts like CNBC’s Squawk Alley, has returned to his roots as a musician. He described his inverted path to the stage in a recent interview, “Here’s how it worked. When I was in college, I was in a really awesome band called Guff.  I think we really had a real shot.  It was 1980 and we were playing really at the intersection of the Grateful Dead, Frank Zappa and punk, and it was a good time to be playing that kind of music.  We were a quartet and the guy who wrote the songs fell in love and ran away.  I had been supporting myself through all of this and I had all these student loans and then, suddenly, the notion of going off and trying the band thing without our core songwriter just seemed really risky.  So I went off and got a day job.  By a series of total miracles…it worked out really, really well!”

He elaborated, “What was weird is the fact that I was a musician turned out to be the key to it.  I got involved in the personal computer industry when it was just starting out, and the thing that was so funny was that everyone that was in that business was my age.  We all listened to the same music, we all liked the same drugs, and at the trade shows and conferences people would bring instruments and we would have jam sessions…and I knew more songs than everybody else.”

Chuckling, he continued, “So I was sitting there paying with Paul Allen from Microsoft and the head of R & D from Apple, and I got to know all these people as musicians, and if you know somebody from playing music you know them a lot deeper than from just a conversation.  I just…I was just really lucky.  I showed up in the right place at the right time.  The only place a hippie could be successful in business was the tech world.  Steve Jobs, bless his heart…famously said “Never trust someone who hasn’t taken acid.”  And that WAS the personal computer industry.  And that felt pretty normal to me, weirdly enough right? I’m not really a business person, but I did have a really lucky run in the tech world and that allowed me to get back to playing on my own, being able to play in bands. I’m blessed.”

Roger is the lead vocalist and plays bass and guitar with Moonalice, playing 90-100 shows a year since 2007. Moonalice has been a pioneer in leveraging technology to build a national audience and has one of the most engaged fan bases on social media with more than a half a million fans. The Moonalice Couch Tour™ on Moonalice.com enables fans to watch any show on a smartphone or PC without an app. Moonalice works with a group of more than 24 poster artists to produce a unique poster for every concert. In 2014, Roger and Jason Crosby (Robert Randolph & the Family Band, Susan Tedeschi Band) formed a duo, Doobie Decibel System that has since expanded to a band including Dan Lebowitz, Pete Sears and Jay Lane. A special version on the band will be performing at this year’s BottleRock Napa Festival.


Attendees at the Sweetwater Tailgate Super Bowl Tailgate Party can expect an acoustic show with a of a range of original ballads as well as covers, like this rendition of The Beatles’ “Here There And Everywhere” that he recently shared via a live Facebook broadcast – and to take home memories of a jolly good time out as well as a commemorative poster by Moonalice art director, Chris Shaw.





Tuesday, January 3, 2017

Doobie Decibel System Over The Moon To Be Performing At BottleRock Napa

“I’m blown away. Everything about BottleRock is just amazing,” said Roger McNamee of Doobie Decibel System, whose other band Moonalice has been repeat act since the very first BottleRock. “These guys have something unique,” added McNamee of the event promoters, Latitude 38. “It’s something that fits the Napa community. The food is amazing and I’m not a wine drinker, but if I were, I think this is probably as close to heaven as you can think.” 

A special Doobie Decibel System Band will be joining a BottleRockNapa Valley 2017 lineup presented by JaM Cellars that includes Foo Fighters, Tom Petty & The Heartbreakers and Maroon 5 as headliners.

The event will run in Napa Valley from May 26 to 28 and will include over 80 musical act​s, including Macklemore & Ryan Lewis, Modest Mouse, Ben Harper & The Innocent Criminals, The Roots, Silversun Pickups, and dozens more will perform at the 3-Day music, wine, food, and craft brew festival. Passes go on sale on Wednesday, January 4, 2017, 10AM PST

One of the most innovative and enjoyable festivals in the U.S., BottleRock Napa Valley features an unparalleled combination of the world’s biggest bands and artists alongside the hottest up-and-coming music acts. In addition to the three renowned headliners, the 2017 festival will showcase Macklemore & Ryan Lewis, Modest Mouse, Ben Harper & The Innocent Criminals, The Roots, Silversun Pickups, Band of Horses, Fitz & The Tantrums, Dirty Heads, Live, The Naked and Famous, The Devil Makes Three, Michael Franti & Spearhead, Gavin DeGraw, St. Lucia, House of Pain, Bob Moses, Catfish and the Bottlemen, Saint Motel, The Strumbellas, AlunaGeorge, Frightened Rabbit, Andra Day,Galactic, Charles Bradley&His Extraordinaires, Mavis Staples, Ani DiFranco, Bishop Briggs, Lewis Del Mar, Highly Suspect, Judah & the Lion, Elephant Revival, WarrenG, Bad Suns,Giraffage, gnash, The Staves, The Barr Brothers, Pell, Hippo Campus,Jessica Hernandez&The Deltas, Barns Courtney, HissGolden Messenger, The California Honeydrops, The Hunna, 888, Prinze George, Con Brio, La Santa Cecilia, The Shelters, SWMRS, Run River North, James Hersey, Day Wave, DREAMERS, HIRIE, Baskery, City of the Sun, Cobi, PARTYBABY, A R I Z O N A, The Heydaze, Parade of Lights, little hurricane, Marty O'Reilly and the Old Soul Orchestra, Josh Kelley, Jessica Childress, Corey Harper, WILD, Saint Mesa, Hibbity Dibbity, The Helmets, Pacific Radio, The Redwoods Revue, Doobie Decibel System, Troubadour 77, Silverado Pickups, Tracksuit Wedding, Secure the Sun, Serf and James, Kadin Yeahmon, Alec Lee, and the Napa Youth Symphony.

Doobie Decibel System at Hardly Strictly Bluegrass 2016
“We are very proud of this lineup. In addition to our amazing headliners, the lineup has something for everyone,” said Dave Graham, CEO of BottleRockNapa Valley and Latitude 38 Entertainment. “It's exciting to see BottleRock develop, from the performers, to our wine and culinary programming, our layout…we make great strides each year to elevate the overall event. BottleRockers expect an amazing experience and we believe they will be very happy with all the upgrades we are planning for this year’s festival.”

In 2016, BottleRockNapa Valley welcomed more than 120,000music, food and wine fans during its fourth annual installment in historic downtown Napa. The sold-out 2016 festival featured more than 90 performers on five stages including Stevie Wonder, Red Hot Chili Peppers, Florence + The Machine, and more. BottleRock Napa Valley also features its legendary Williams-Sonoma Culinary Stage, showcasing a unique mashup of cooking demonstrations with renowned chefs, celebrities, performers, and rock stars. Details on the 2017 culinary stage will be announced at a later date.

Get ready to get your BottleRock on and enjoy this taste of Doobie Decibel System treats to come from a show at San Francisco's Union Square in 2016, A special version of the Doobie Decibel System Band will be performing at BottleRock 2017!




Friday, December 9, 2016

Moonalice's New CD - HIGH 5 - Will Help You Live A Little

As Moonalice fans who call themselves "The Tribe" will affirm, Moonalice is more than a band - it's lifestyle lived in tie-dye technicolor as glorious as the video wall which makes its appearance at many Moonalice shows. Fans check the sepia of everyday life at the door of Moonalice concerts, and enter an emotional oasis where for a few hours the world seems like a kinder, happier place - an oasis that they can then access and relive at will on the band's social media accounts on Facebook, Twitter or Instagram - or on the band's own radio station, Moonalice Radio

Moonalice is Roger McNamee, Pete Sears, Barry Sless and John Molo -  a seasoned ensemble of talented jam and rock scene musicians blending evocative lyrical prowess with blistering instrumental mastery. Everyone, both the band and audience are part of the experience - feeding off each others' energy while the music inspires dancing and other acts of self expression.

Roger McNamee recently talked to Digital Journal about the band's new CD called "HIGH 5" which was officially released with a concert at the Terrapin Crossroads' Grate Room on October 6th. He said, "Even though we have released CD's before, this is where we went back to the full-album LP style. In our previous CD's we didn't have much rhyme or reason, thought or input. It was just getting songs out there."

He added, "With 'HIGH 5' it is much more. In this CD we have something deeper. In my mind, 'HIGH 5' is a notion of breaking out of the usual routine in the hopes of making things better. The songs on this CD could have been written when we were young," noting that, "In youth the goals are more about simple things. But in maturity life has more complexity. This new CD forms the core of our repertoire, in that we want to help make a positive impact." 

Moonalice is about having fun and sharing music but as Roger pointed out, "The songs on this CD are reflective of a full lifetime; a life that has matured and come to an understanding of things." 

He mentioned that in society right now, there is "lack of trust, people are really struggling just to survive (financially and for some emotionally). There is an uncertainty about the future. These are things that are effecting everyone." 

As a musician, he said, "It is not everyday where we can write songs like this. And, as I see it, it is our opportunity to share these songs, their meaning and to see how our audience/fans receive them."

A GratefulWeb review of HIGH 5 describes CD highlights: "McNamee’s vocals on the opening track “Live A Little” are reminiscent of the finest classic Eagles and Byrds singles. The next track “Summer Rain’ yearns for those beautiful memories past, evoking and provoking imagery in the vein of Bruce Cockburn’s early material. The Pete Sears led tracks “Unsung Heroes” and “Lady of the Highlands” show off the modestly understated vocal range of the multi-instrumentalist. The album’s title track is a remarkable Barry Sless composition, inspired by Joe Morello/Dave Brubeck’s canonical original “Take 5.” Always consistent as the rhythmic heartbeat of Moonalice is John Molo who takes each unalike track with such precision that no other percussionist could realize."

"Brother, Can You Spare A Dime?" is a personal favorite. One of the best-known American songs of the Great Depression, it is a bittersweet reminder that the more things change, the more they stay the same. 

The HIGH 5 CD is available for $10 in the Moonalice Store.

Track Listing:

Live A Little (That's Right)
Summer Rain
You
Unsung Heroes
Brother, Can You Spare A Dime?
Lady Of The Highlands
High Five
Paradise
I Can't Help But Wonder (Where I'm Bound)

A live performance of "HIGH 5" by Moonalice at the Hardly Strictly Bluegrass Festival in San Francisco, 2014.

Monday, December 5, 2016

Amazon Go - Experimenting Really Does Matter Says Investor Roger McNamee on CNBC

Image: Amazon Go
With the announcement of Amazon Go, the company is taking e-commerce to a whole new level. "Our checkout-free shopping experience is made possible by the same types of technologies used in self-driving cars: computer vision, sensor fusion, and deep learning," the company explained in a press release today. "Our Just Walk Out technology automatically detects when products are taken from or returned to the shelves and keeps track of them in a virtual cart. When you're done shopping, you can just leave the store. Shortly after, we’ll charge your Amazon account and send you a receipt.”

Stores will comprise of a compact 1,800 square feet of retail space so that busy customers can get in and out fast. All consumers need to shop is an Amazon account, a supported smartphone, and the free Amazon Go app. The first store is located at 2131 7th Ave, Seattle, WA, on the corner of 7th Avenue and Blanchard Street and is currently open to Amazon employees in a Beta program. It will open to the public in early 2017. To be notified of when the store opens, click here.



Speaking on CNBC’s Squawk Alley, Roger McNamee, co-founder of technology investment firm Elevation Partners, said, “I think this is part of a continuum that began a number of years ago when folks like Home Depot and then CVS and Albertson's and others like Walmart have experimented with self-checkout. That has been a mixed experience. I think the most compelling consumer experience was the one at Home Depot. Unfortunately, the technology they used to do it was then exploited by hackers to basically get access to all their corporate accounts. That didn't work out so well.”

Image: CNBC Squawk Alley
He continued, “These things have all had rough moments. The consumer experience has been everywhere from fantastic for the person who otherwise would've been in line for a long time, to just dreadful. I don't think that it's been as good for the company as they'd like to think. Amazon's model, which appears to be kind of a closed system, the whole thing is controlled by them, is way more consumer friendly. I really do hope it works. I'm not going to sit there and assume it's going to move the needle much for Amazon because Amazon's really big and really successful. I think moving the needle for them is hard. I think this is another example of Amazon really pushing the envelope in really interesting ways. I like this better than Dot and some of the other things they're doing.”

Human beings are really a positive part of retail

Answering a question about the comparison of Amazon Go with self-checkout at Apple stores, Roger said, “The early results from self-checkouts suggests that, in fact, self-checkout works in a relatively narrow set of circumstances with today's technology. Amazon's moving the technology forward. In principle it should enlarge the number of cases where it works. The reality is, having human beings in the retail experience is actually one of the more positive things for many retailers. Imagine Tiffany, there's a place where the sales person is really important. At Apple the human beings are really a positive part of the experience. I think there are other circumstances and grocery stores might be an example, where it's a mixed blessing. I don't expect this to take over the world. It just doesn't seem like an earth-shattering thing.”

Really hope Amazon Go works


Experimenting really does matter

In conclusion Roger said, “I'm just glad they're doing it. I think variety's a cool thing. I think experimenting really does matter. I do think that the employment impact is going to be something. Hopefully not terribly huge. I think what it will show, as the CVS thing has shown is that humans are actually a really positive part of retail.”

According to CNBC sixty-five percent of U.S. consumers who have never purchased groceries online said they simply preferred shopping in a store, based on a survey of 2,500 U.S. consumers taken by Cowen analysts.





Monday, November 21, 2016

Roger McNamee - Spectacles Are A Genius Marketing Gimmick

Image: Snap Inc.
New York is the newest location for one of Snap Inc.'s vending machines. Located inside a pop-up shop at 5 East 59th Street, near Central Park in Manhattan, and right across from the Apple Store.

Vending machines are the only way you can officially buy the sunglass-mounted cameras. The location is scheduled to remain open until New Year's Eve but will be closed on Thanksgiving, Christmas Eve, and Christmas Day.

Spectacles are sunglasses with an integrated video camera that captures 10-second scenes, said to be capable of recording a day’s worth of “Memories" in a circular video format and on a single charge. Spectacles connect directly to Snapchat via Bluetooth or Wi-Fi.

With its trio of three bold, bright colors (teal, orange, or black) and blinking lights to indicate recording, the edgy device looks more fashion toy than tech, which is said to only add to the appeal for its user base. According to Mashable the Snapchat app reaches 41 percent of all 18- to 34-year-olds in the United States and is reported to be growing daily active users at 50% annually (based on leaked numbers), and to have had 150M daily active users in June 2016. Now those users can pop on a pair of Spectacles and capture everything that they can see. Since the glasses capture circular videos, they are a de facto GoPro for the face.

Image: CNBC Squawk Alley
Speaking on CNBC’s Squawk Alley, Roger McNamee of Elevation Partners weighed in on Snap's Spectacles vending machine arriving in NYC, describing it as a “Genius marketing gimmick," also saying, "No matter what else it is, it is an extraordinary marketing gimmick. I look at Snap and I have nothing but admiration for them."

Roger continued, "When they turned down the offer from Facebook a number of years ago, like many people, I thought that that was ill-advised and was going to result in a lot of tears. It turns out not only did they have the last laugh, but at the moment they really, they have captured something in the zeitgeist out there that is different from other technology companies. I don't know where it's going to lead, but I will say that they have the magic right now."

Commenting on Snap being Los Angeles as opposed to Silicon Valley based, Roger said, " If we think about Amazon and Amazon Web Services located in Seattle, there was a long period of time when Silicon Valley was wildly better as a producer of great tech companies than the rest of the country, maybe two standard deviations better in terms of the percentage of successful tech startups coming out of the valley. The reality is, the rest of the country now can do it. Silicon Valley, there's still way more money there, still way more people, a lot of energy here. But the hit rate has come down so much that it no longer stands out as the place you have to be if you want to create a technology company. That if you work hard enough and you have a great idea, you can do it pretty much anywhere now. Snapchat, I think, really does confirm, yet again, that observation."

Reflecting on a possible IPO, Roger said, "What the stock is worth is anybody's guess. But it is really clear to me that they're going to get everybody's attention. When they do the IPO, I suspect it will be well subscribed."

A recent article on Recode has described the rollout of Spectacles as a "spectacle," commenting, "Everywhere Snap drops a Snapbot, the big yellow vending machines that serve as temporary storefronts for the glasses, crowds line up, dozens of people deep, and spend their hours waiting in line posting and tweeting about how excited they are to get their hands on some Spectacles." 

The author concurs with the assessment of "genius" when it comes to marketing, adding, "Snap isn’t going to make much money selling smart glasses one vending machine-full at a time. But that’s not the point. Instead, what the company has done is create the kind of buzz and excitement around a product - and thus the Snap brand, which is prepping for an IPO - that we haven’t seen in a long, long time."

The momentum before the IPO?

Snap Inc., the parent company of Snapchat, describes itself as a camera company, saying, “We believe that reinventing the camera represents our greatest opportunity to improve the way people live and communicate. Our products empower people to express themselves, live in the moment, learn about the world, and have fun together.” 

Image: CNBC Squawk Alley
The company is using the "bot" vending machines to sell Spectacles - keeping them exclusive and generating hype - and most importantly, generating perceived demand. Spectacles are a pricey $130 a pop and you can only buy a maximum of two pairs at a time - but people are reported to be reselling them online for far more - up to $2,500!

Snap Inc. is reported to have filed confidentially for an IPO that could value the company north of $22B. For context, the company was last valued at $18B in the private markets, which put it just behind three other US-based unicorns: Uber ($68B), Airbnb ($29B), and Palantir Technologies ($20B), and just ahead of WeWork ($16.9B). Snap’s public debut would be the first unicorn IPO since the September 2016 IPO of Nutanix, which went public at a valuation of $2.2B.

Snap’s move into wearables could be a signal of possible future growth in new areas. Its initial Spectacles product sold out quickly, and Snap has itself acquired three companies this year alone, including a company specializing in 3D imaging (Seene). Snap also bought Looksery, a facial recognition company in 2015. In January 2015 it acquired Epiphany Eyewear. Patent data also reveals it has filed over 30 patents, with more recent patents related to object recognition and image augmentation.

Saturday, November 19, 2016

Doobie Decibel System – Tight Harmonies Create Harmonic Resonance

Improvisational ‘friends night’ evenings featuring local up-and-coming bands have revitalized the Bay Area music scene. "Says Roger McNamee, reflecting on the formation of Doobie Decibel System, “Those of us who live in the Bay Area are blessed to have venues by Bob Weir and Phil Lesh. San Francisco hadn’t been interested in up-and-coming bands for a long time, but Sweetwater and Terrapin Crossroads completely changed that.”

It was in this context that Roger first met Jason Crosby (Assembly of Dust, Robert Randolph, God Street Wine, Lesh, Weir), who had recently relocated from the East Coast. He invited Jason to sit in with Moonalice at Sweetwater. This, in turn, led Jason to Roger’s home, where they shared a revelatory moment after they opened a book of Beatles sheet music and arbitrarily performed “Two of Us.” During this impromptu porch performance that Roger’s wife, Ann, who has a Ph.D. in music theory, noticed was there was something about the pairing of Roger’s voice with Jason’s, where a harmonic resonance was created that the ear heard as a third part.

That casual porch session led to a new, more formal musical partnership. The name of their duo, a riff on the library classification system, was Jason’s own term for the method he employs to keep track of the songs he performs with so many different acts.

While Doobie Decibel System began as a two-piece, the group performed at this year’s Lockn’ as a quintet, with ALO guitarist Lebo, longtime Weir drummer Jay Lane and Bay Area mainstay and multi-instrumentalist Pete Sears. (DDS also gigs as a Trio with Lebo.) The band’s shows are archived on its website and, as Roger notes, in all three iterations, “Tight harmony is an essential part of what we do. The fundamentally acoustic foundation of the music is quite distinct from Moonalice, which is pretty clearly a jamband.”

The crowd at a sold out show at Sweetwater last night got to rock out to Doobie Decibel System perform as a Trio as they supported Tom Hamilton's American Babies – who were joined by Bob Weir. The show was broadcast live on the web as well as on the Moonalice Facebook page

Those that missed yesterday’s off the hook show can watch the video below, and can also catch a second show that will be broadcast live tonight, 19 November, at 9pm PT. Those that attend in person are not only guaranteed good food and a fun time at a great venue, they will also receive the beautiful poster shown above from well-known Bay Area poster artist, Alexandra Fischer, a member of the Haight Street Art Center.

Friday, November 4, 2016

Steve DeAngelo: Prop 64 not perfect, but a really essential next step

Mill Valley community gathering place and venue icon Sweetwater Music Hall last night rocked to a “Get OutThe Vote Concert” to raise awareness on Proposition 64, the Adult Use of Marijuana Act(AUMA), with a show headlined by Moonalice and also featuring Lorin Rowan and the 420 Waldos. The show was opened with a talk by Steve DeAngelo, one of the founders of the Harborside Health Center in Oakland, CA, followed by Lindsay Robinson, director of development of the Marijuana Policy Project, answering questions about Proposition 64 and AUMA.

A survey released by Field Poll and the Institute of Governmental Studies at the University of California suggests that 57% of likely voters support Proposition 64. As reported by the Huffington Post, that’s similar to the 58% support that the University of Southern California’s Dornslife College and the Los Angeles Times found in a poll released earlier this week.

Roger McNamee, cannabis reform advocate and Moonalice founder, whose "first and driving motivation on Prop 64 is about civil rights," started the evening by explaining why he is so strongly supportive of Prop 64, saying, “This is California and this year on November 8th there is at least one really good thing that can happen. That is that we can pass Proposition 64, the Adult Use of Marijuana Act. This is something that is long overdue and absolutely I think essential to the welfare of our state."

Describing the negative impact of the black market in cannabis, Roger said, "As you know, we have an enormous black market in cannabis in California. It takes place outside the economy. It has huge negative environmental consequences. It has huge negative consequences for employees. It has huge negative consequences for everybody who's involved because it's a felony. We have a chance to fix all of that. We have a chance to address the civil rights violations of people of color who are arrested and incarcerated at three times their rate of usage. We can do a lot of really good things.”

Prop 64 – Not perfect, but a really essential next step

In introducing Steve DeAngelo, Roger said, “Folks have sent us a ton of questions on Facebook and on Twitter saying, "Hey, we don't understand this thing." There's been a lot of disinformation in the marketplace. The guys on the other side of this thing are people in the opiate business, people in the hard liquor business whose businesses are threatened by the legalization of cannabis. They've spread a lot of disinformation.”

Steve DeAngelo began by saying that to him Prop 64 was also a compromise, but one that needed to be made, “Let's think about what is this thing 64 in the first place. It's a law. It's a law that's going to be passed by the people as opposed to the legislature, but it's a law. Like most laws, it's a compromise. There were many, many different groups who got around the table to help draft Prop 64. Some of them had interest A or interest B. There were a lot of different opposing interests that needed to come together around that table to put together a team that could get this initiative on the ballot, and compromises were made in the process of drafting.”

Steve continued, “The result, from my point of view, is there is stuff in there that I love. One of things is that people like me who have felony cannabis convictions will be able to be licensed in the legal cannabis industry under Prop 64. There's things in there that I really, really, really don't like, like the power of local governments anywhere to overrule the will of the voters of California and say that, "Just in our little city, in our little town, in our county, we're not going to allow a legal cannabis industry. Even though the voters of California approved this law." Is there stuff I like? Yeah. There's stuff I like. Is there stuff I really find distasteful? Yes, absolutely.”

“That's generally the way it is with almost all laws in a democratic society,” Steve said. “That's what we do. We come around a table. We have disagreements. We have different interests. We trade things off, and we come up with compromises. Prop 64 is very much a compromise. We need to understand that it's not perfect, but it is a really essential next step. It comes at a really, really critical time in our country. We can disagree from now until eternity about the details of Prop 64, what you like, what I like. The reality is we are in the midst of an election season that we do not know how it's going to turn out.”

With the results of the election on November 8 uncertain, Steve stressed the importance of not losing the vote on Prop 64, saying, “If we don't pass Prop 64, to the only west coast state where cannabis is still illegal under state law, they will come to California, and they will unleash a reign of terror on the Emerald Triangle and in our cities and on our manufacturers and on our patients that will make what happened in 2011 look like a practice rehearsal. We can't afford to lose this one. This is not an election where we know what is going to be the outcome.”

“Best thing ever for small growers of the Emerald Triangle”

Many of the concerns that people have about Prop 64 are about the impact that it will have on small growers. Steve addressed this saying, “I've heard questions from folks like: What will happen to small growers? Is Monsanto coming? Is there going to be a corporate take over? The answer to most of those really, really scary questions, in my opinion, is mostly no. Mostly no.”

Talking about the need of “letting go” and “one last sacrifice” that needed to be made by the community of cannabis growers, Steve said, “We won't do it alone, we're not going to do that alone. There's not enough hippies in northern California, there's not enough of us, our arms aren't long enough to reach all around the world. We need to welcome new people who have just heard this call that we've called for so long, that we followed for so long into this community, and allow them to help us carry this plant forward.”

Set the cannabis culture free

Steve stressed that there is “enough room in the new cannabis industry for everybody who wants to be there,” and that Prop 64 will be “the best thing ever for the small growers of the Emerald Triangle who are the folks that are probably the most nervous about Prop 64 right now.”

Talking about the multi-generational community in the Emerald Triangle that is centered on the production of cannabis and that has developed a culture that “lives by the lessons and the values that the plant teaches us,” Steve said, “Set that culture free. Let that culture have wings. Let us bring an avalanche, a river of tourists from all over the world. Let's bring them into our communities, let's show them what a community that lives by these lessons and values actually looks like. That's what 64 can do for the Emerald Triangle.”

Lose Prop 64 – Lose the national market

Steve concluded his talk by describing what would happen if Prop 64 did not pass, saying, “What happens if we don't pass 64? Two things. One, the federal crackdown that I was talking about before. Two, other states are moving forward. They're not going to stop. Today California has cannabis as it's number one cash crop. Number one cash crop. We outproduce every single other state in the country by far. If we don't pass 64, those states are going to start gaining on us. Colorado, which has legal cannabis. Alaska even, Washington, Oregon, they're not waiting. They will start claiming ever larger parts of that national market. 90% of the cannabis in California is grown and sent out of state. We all know that. We don't talk about it much but we know that. We don't want to lose that market. We lose 64 then what happens is we also lose ... start eroding our share of that national market"

Perfection can't be the enemy of progress

Lindsay Robinson from the Marijuana Policy Project began her talk by reinforcing what Steve had said about Prop 64 not being a “perfect law,” saying, “As Steve was saying this is not a perfect law by any means. It took many many months. Advocates were at the table, business leaders, concerned parties, patients. There was a huge group represented that tried to come together to make something that would work for California that would recognize the long and incredibly diverse history that folks in California have with the cannabis plant but also make something that could actually be passed.”

“We needed to find a middle ground between voters who live in conservative areas and growers in the Emerald Triangle,” she continued, “I think we have found that. One of the good things is that Prop 64 there are portions of it that can be voted on again in other ballot initiatives. It is the will of the people and parts of it can be changed. I think that we can't have perfection be the enemy of progress. I really do believe that this is a step forward.”

Addressing concerns

Addressing some of the concerns around Prop 64, particularly those about corporate take-over, Lindsay said, “There are going to be 19 licensing options moving forward with Prop 64. They will work on cultivation, processing, retail, testing, et cetera. One of the things that I think is really interesting is that for the first five years the law will not allow really large cultivation and it also won't allow those cultivations to be vertically integrated. I think that will help with some of the concern of really large businesses and really large monopolies forming in California. I know that is a concern for a lot of people. There is some wording in there that I think will help with that.”

With respect to what is legal under Prop 215 and new felonies, Lindsay said, “If they are right now legal under 215, they will stay legal under Prop 64. That's really important to know. No new felonies will be created.” She continued, “I think probably having a large quantity of marijuana on you, that currently you could face six months in jail if you had over an ounce. In almost anywhere in California realistically you could face six months in jail, that will not happen under Prop 64. That's really exciting.”

She stressed that sales tax would not need to be paid by medical card users saying, “There will be a new 15% sales tax on recreational or adult use marijuana. That will not apply to people who still have medical cards, they will be exempt from that sales tax.”

Regarding use of the tax fund, Lindsay said, “Annually basically we're looking at ten million dollars going to the University of California to study legalization, see its effects, understand the wide scale issues that folks are dealing with, how the regulations are working, how they're not. This is an interesting piece, 15 million dollars over five years will go to studying and creating DUI protocols. That's a huge issue right now. One that I don't think has been currently worked out in Prop 64. That's something that's going to continued to be studied and worked on. We're looking at 2 million dollars a year to medical marijuana research. That is incredible.”

She continued, “60% of the remaining money in the tax fund will go to youth prevention, education, and treatment. Environmental restoration, that's another one that's going to be receiving money from illegal grows. Hugely devastating to certain areas. There is going to be money that goes to that. There is going to be money that goes to law enforcement in helping to enforce these regulations.”
With regard to losing Prop 215 protection, Lindsay said, “Prop 64 is not going to touch the protection that folks have under 215 now. This is also incredible and super exciting. Upwards of 50 million dollars over the next five years is going to go to grants for communities that have been disenfranchised by this war on marijuana. That is bad ass so I hope that you guys are exciting about because as an activist that is really meaningful.”

Lindsay concluded by taking about the benefits of Prop 64 to veterans, saying, “One thing I think is also really exciting is that right now most veteran doctors, anyone going through the VA, they don't talk to their doctors about medical marijuana. There is a huge stigma with vets and the doctors are actually not allowed to recommend that veterans use medical marijuana. Now vets don't necessarily have to talk to their doctors about it or they can, but it will allow people who are suffering from ailments to receive medicine even if they're not necessarily getting a recommendation from their doctor. I think that's huge as well and really exciting.”

Watch the whole "Get Out The Vote" concert below: